Monday, February 26, 2018


I think as artists, it's important that we all build community. That we build a support system of people that we can lean upon. A moment to realize that no question is too big or two small. This brings me to today's question:

(My Little Corner by Pedro Krüger Garcia)
Why Creativity?

I believe finding a reason to be a creative can sometimes be the hardest. Simply doing art-for-art's-sake usually doesn't fill the hole that you experience as an artist for long.  Quite often, even during my degree-seeking adventures of art school, I would constantly question myself and others,
"Is this what I (we) really want to do?" 
This question, much like a disc that continually skips, was on repeat. I feel like a majority of artists are initially scrambling to find a reason to do what they do, or even do what they enjoy.

I think it's critically important to discover why you enjoy art in the first place. That will be the initial guiding light that will turn you towards what you'd like to push forward with.

Ask yourself: What am I interested in?

This can seem like a daunting question at face value, but it will help to quickly turn the tide in your self-discovery favor.

I can still remember it, when I was a kid, thumbing through old volumes of Advanced Dungeons and Dragons, 2nd ed. Monsters Manual. I would read the small descriptions, even before looking at any of the ink plates that were presented in the book itself, and try my damnedest to imagine what the creatures would look like before I took a peek. Usually I was wrong, but I learned a valuable lesson at that point. I have the ability to come up with my own monsters? That's a thing?! It took a long while for this ideology to sink in, but there you have it, my first steps into doing art as a profession. Of course, I didn't know it at the time, but that for another story.

Fast-forward some time and thousands-upon-thousands of images later (not my own creation, merely gathered imagery), and I have slowly begun to discover what types of images I do or don't like. Some might say, I've gained a tad of an Art Director's eye. I can go on, at length, as to what makes a piece of art good or bad and offer a multitude of fixes to help make the piece really shine!

But through all of it, I still get continually asked the same question about creativity.
There isn't of course a tell-tale answer for everyone, but here's a few reasons that I think some people might pursue the creative arts:

For Money?

Some people might merely be searching for the next paycheck. While I will admit, sometimes the instant gratification of a payday can seem like a heaven-sent, I think it's important to look at the bigger picture. Sure, we all need money, but there's a certain amount of soul-gratification to completing a piece. I have this tendency to save a piece in a multitude of stages from initial sketch to final piece. I think this might be a holdover from when I was back in art school, but it's extremely gratifying to look back at a piece from conception to final.

Another bonus to saving a piece in stages, especially if you're searching for the monetary aspect, is that you can double it up later on as part of an art book. I know that I, for one, love to see all of the stages that make up the end result.



For Prestiege?

While this is something that typically happens over-time, some people go into the arts with this purely in mind. Going for fame and glory is always a matter of opinion, but having a background task (typically) is the way of the artist. There's always the ability to gain some sort of fame, or notoriety, depending on how you pursue your creativity, but there's still a certain amount of letting your creations speak for you. In this regard, I think that jumping into creativity with this in mind might end up making your struggle a bit harder than intended up front.

I'd suggest to let this path come to you.

For Preservation?

This one is also a bit hard to gauge because, as with prestige, usually comes the need for a way for your audience to want in on the action. By default, then, you end up with a sort of living legacy of your work.

For example, go back and look at a piece you did long ago, and then compare it to a piece that you're currently working on. I'd guarantee that you'll see a huge difference, even if it's only been a short amount of time. Your mind has changed about things, or perhaps your skill has grown. Ultimately, preservation, and subsequently, the need for collectors, will grow over time.

For Fun?

Then we come upon the real reason we should all be creating in the first place. FUN. If you're not enjoying the path as your developing it, trust me, it shows. I've seen the most passionate people burn out simply because they lost sight of the ability to have fun with their work.

If you're finding yourself burned out, try doing something completely different artistically. Drawing too many dragons? Try going the opposite direction: draw some robots. Combine the two: robotic dragons. Feeling out of sorts with character design? Try a couple environment studies. Another important thing to try is... simply take a break! Most people think that they have to grind and grind to get to their goals. Well when gears grind too hard, they break. This is true for a creative. They need to take a step back sometimes and just refresh their batteries.

I make it a point whenever I finish a big commission to take a day or two to just push that refresh button. Watch movies, play games, listen to music non-stop; anything that provides a release from monotony.

Ultimately, just have fun with your work!

-----

There are many other reasons to pursue art, but these are the top four that come to mind instantly whenever I start to think about reasons behind the art.

What are some of your reasons for continuing to make work? Leave a comment below with yours!

Tuesday, February 13, 2018


As an artist, it seems like the landscape is ever-changing from simply the tools, to the aesthetic. I intend to be an artist that never wants to stop learning, and as such, I find more and more interesting artists everyday. Each artist has a unique insight and point of view, no matter the experience level. New views help open my mind and teach me there are many ways to utilize my skills and I hope that sharing our stories will help others in the same way. I believe there are many paths on an artistic journey, and each interview will help to show the stories of the artists that tread them. 


Today we'll be interviewing Rachael J. Sparks

Kaminski: My first question is pretty much always the same: Firstly, tell me a little about yourself. What got you into art? What makes you continue perusing it? Is it something that you always saw yourself falling into?


Sparks: Well... I was born with a healthy dose of humility. I never felt like an artist and still struggle often with... feeling that this is something I’m actually good at and can pursue. I’d have to say the thing that got me into my own art was other people, watching them light up. It pushed me to see what else I could accomplish. I wanted to show them a world beyond the one staring them in the face day after day. Helping them believe in magic helped me to believe in myself. And even though I often have a hard time continuing even after all these years, I know I’ll never quit. Not ever. Because of the magic I have inside that craves a voice. And because of the people who still believe.
I’d have to say the thing that got me into my own art was other people, watching them light up.
Kaminski: Hell yeah! Don't let anything push you down.
Through your experience thus far in art - who or what led you down the path of self-discovery and finding your own voice? In that vein - what kind of voice do you see yourself as having? i.e. what kind of art do you ultimately see yourself creating and why?

SparksStephanie Law. I spotted her watercolor worlds online quite by accident and instantly fell in love. Her art has held me in its gravity for over a decade now and inspires me still. She takes you to the edge of your known world and opens a door to a place beyond... and I see my art being the same way.

(The pieces above were done with an etch-a-sketch!)

Whether the subject is silly or serious, everything I make is about that door. I pour all the magic and mystery I can into my art, but keep it grounded in with one foot in reality. Showing people how to find that door is my job. Where people go after that is entirely up to them. My artistic mission is more than mere entertainment. I want to make people look twice at their life and see something more there. I think about it every time I reach for a pencil.

Kaminski: That's definitely a noble mission - one that I think all of us artists strive to reach for - and because of that, I assume that making things like fan art is out of your wheelhouse.

Sparks: Yeah basically. I do make things just because people want to see it done... I think fan art is inescapable in some ways, but for the most part I try to focus on being original. It doesn’t always get the popular vote, but it’s what can strike that chord and wake people up a little.

Kaminski: Since you have a good range of skill sets, what with your variety of medias and all, do you find any one of them preferential over the other? Why?

Sparks: Oh man. You ‘would’ ask me to choose my favorite child, wouldn’t you?



Well nothing beats pencil and paper. Nothing. It’s a childhood tool. A primitive creative feeling, that scratch of graphite and processed wood. Don’t get me wrong, I’m all for digital. I just got the iPad Pro and Apple Pencil and I’m just dying with how amazing it is! But you can’t save your soul on a zip file can you?

What I mean is, when someone holds an original unrefined sketch by an artist they get a piece of that person, unedited and tangible. So yes, that’s it; if I had to choose. Then come all the others in dead second: digital, watercolor, clay, wire, wool, aluminum powder, alcohol ink and all the other mediums I can get my hands on. There are no art forms in third place. Anything goes and it’s all my favorite thing. You can even include the performing arts in that list, I want it all!

In a nutshell, for me it’s pencil and paper. Then... the world!

Kaminski: Your open-mindedness is astounding!

Sparks: This is how I am! I try to narrow the playing field and focus like everyone else, but there’s a part of me that remains caught in childlike wonder about everything. It’s a hungry curiosity that I want everyone to experience. So I’d say if my art in all its wild variety had only one word to describe it, I’d want that word to be “Wonder

KaminskiAre there any specific projects you'd like to promote or talk about?

Sparks: Oh man, YES!

I always have to ask people “How much time do you have?” because I am an IDEA person. I always, always, have something on the table. Ok, that’s a lie, it’s more like a dozen things on the table. It depends on if you want a taste of everything or if you want to hear more in depth about just one?

Kaminski: One in depth, if you please, to start with.



Sparks: My current personal goal is to create a series of illustrations called Grimms. The Grimms are about shining a light on the human emotions we have a hard time speaking about. I’ll be writing literature to go with the art for those who want an in-depth look at the symbolism behind each one. But they can also be viewed on their own and just allow the visual story to speak to the audience.

Kaminski: That seems to be a pretty noble goal - to speak on issues that we find a bit hard to speak about via words. It must be therapeutic for both the reader and the writer I'm sure. To get it off your chest and to help people that might be dealing with the issues themselves. In some regards I see art as a form of therapy for both parties as well; this could explain our love for it throughout the ages.

Sparks: I’m extremely high functioning on the autistic scale (I’ve got Aspergers) so not only do I feel deeply, I also don’t have the same boundaries as other people. When big emotions come up, I need to share them. But doing that in people’s faces isn’t helpful so I do it through art. This way, I shed light on difficult topics and the audience gets the chance to look at their own feelings through the filter of art. It’s safer for them and for me. I feel like art is a universal translator between a lot of things.

Kaminski: Since you delve into the macabre naturally, are there any specific tropes or archetypes that you find preferential over others?


Sparks: Right now an archetype I’m focusing on is Hunger. Doesn’t sound like an archetype but it is. The predator and the prey. The desire for recognition. The feelings inside that we can’t explain but drive us day after day. Nightmares from our past. Dreams for our future. It’s all driven by Hunger and to me that’s an archetype, it’s a story that resonates with us all.

Kaminski: Switching gears: When you hit lulls in your work, what are some techniques you use to get back on track?

Sparks: Pinterest is my drug of choice. You spend time there and you are bound to find all the photography and art any drifting artist needs to relight that spark.
That, and power music. If it gets your blood going eventually you gotta pick up the pen, right? Music helps move everything along.

Kaminski: I painted a whole series to the new DOOM soundtrack!

Sparks: DOOM, really? I believe it! That stuff will get you every time.
My current addiction is Imagine Dragons, Florence, ODESZA (and other atmospheric electronica) and the Greatest Showman soundtrack. Goodness gracious.

I think the history of a person’s art can be tracked through their playlists!

Kaminski: My mood is kind of cyclical, and depending on the season, I go through music in certain, what-could-probably-be-tracked-as-oddly-methodical, ways.

Sparks: I’d have to say I’m darkly optimistic... is that even a thing? You look at my music and you can see that I often walk in shadow by my eyes are almost always fixed on the sun.

Kaminski: My music gets highly repetitive too. It brings me comfort to run the same old trails again and again. Helps my mind calm down.

Sparks: Talking about this makes me want to study the musical habits of other great artists now.

Kaminski: Hahaha! Yeah! I bet you'd find some serious patterns there.
Speaking of habitual: What's a typical day in the creative life like for you? Do you have any habits that you find yourself repeating?


Sparks: My number one habit that rules the day no matter if I’m high or low is “OH MY GOSH DID YOU SEE THAT SHINY THING?!

It’s the curiosity that drives my creative style, which is good, but it’s also something that drives my daily habits, which is bad. Haha The urge to try all the things is a habit I’m trying to tone down. Not entirely eliminate, mind you, because it’s a habit that keeps me fresh and helps me find an artistic voice unified through so many mediums. I’d have to say it’s a “dangerously useful” habit.

Which brings me to my second habit. Lists.
If I put it on the list, it gets done. If I put it on the list, I don’t have to keep track of all my ideas all at once.

And I’d say my third habit is tutorials/art demonstrations. I can play them while I’m working or while I’m doing other things but I am constantly watching artists of a higher skill level which teaches my hands what I want them to be doing. I’d say that’s one habit that has really leveled up my work. I’m sure there are other really great habits I do on a daily basis that I should share right now but honestly, DID you see that shiny thing??

My number one habit that rules the day no matter if I’m high or low is “OH MY GOSH DID YOU SEE THAT SHINY THING?!

KaminskiWhat kinds of goals do you have set for yourself in the immediate, and the long term?


Sparks: Some of my short term goals are more of a personal achievement, exploring my own voice and expanding my skills. I made this needle felted fox for myself for my birthday and my goal is to practice more needle felting, and work my way up to making my own creatures! Dragons and strange beasts from my novel. It takes a long time but I’m excited to show people that you can do some pretty awesome things with a barbed needle and a bunch of unspun wool. That’s my selfish pleasure right now.

 

A couple of other immediate goals: I’m making a series of tiny alcohol ink paintings of animals on dominoes. I wanna complete the set and sell it. I’m also working on creating tiny polymer clay dragons and experimenting with resin paintings as well as teaching myself how to make and edit digital art videos. I want to make tutorials and inspirational stuff with that.

My future plans have some bigger things in store. I’m hoping to publish a few books with my own illustrations in it. I have a children’s story, a motivational book, instructional art book (but I might not do the book and just make a YouTube channel for all my teaching) as well as adult coloring books and also print just a collection of my artistic journey. (And even though my art isn’t involved, I’m also writing a sci-fi/fantasy trilogy called “Dragon of Heaven Angel of Earth” It’s got technological angels and dragons the size of planets. We don’t do anything by halves around here!) I also have plans to launch my business selling professionally crafted Etch-A-Sketch art. Right now, I can make anything on the Etch-A-Sketch you can imagine, but I need to get together some supplies and a proper fan base before I can actually begin to sell them. (Yes, I can make them permanent so they can be shipped across country and hung right on the wall!) That’s mostly it for now, but give me five minutes and I might concoct half a dozen more crazy plans for world domination. Crafting plans for overturning the mediocre life is like my brain’s resting state.

I’m kind of a jack of all trades master of none. But I’m getting there! Each project in a different medium levels up my skills in the others. At least that’s my hope haha

Kaminski: The last question: what's the best piece of advice you've ever received OR what's the best piece of advice you can give to fellow artists?

Sparks: Oh I love this question, you saved the best for last.

The best advice I ever got was actually at a writer’s conference where Kevin J. Anderson told me:

“The best advice I can give you is this. QUIT. Get out now while you can because being creative is often a solitary thankless job. Go do something sensible with your life. BUT. If you try to quit and find that you just can’t... give your whole heart to it.”

We don’t do anything by halves around here. Dreaming is messy business. Like I said at the start of this interview, I quit often as a kid. I’m always on the verge of failing myself. But I find that I can’t ignore the call so as long as I’m here, I’m giving my whole heart to it.

My audience, my muse, my creations, my students and even myself... we deserve nothing less than that!

Kaminski: Thanks for a great interview! This is why I love doing them so much! To get great insight into other creatives!

Thank you all for reading, I hope you enjoyed this interview with Rachael J. Sparks.
If you did, please give it a SHARE via Facebook or Twitter, below.
You can view this interview, and many more, HERE.

You can find out more about Rachael J. Sparks, at her Patreon: https://www.patreon.com/rachaeljsparks

If you would like to be a part of my interview series, simply fill out the contact form HERE and I'll get back with you as soon as possible!

THANKS FOR READING, AND UNTIL NEXT TIME!

Tuesday, February 6, 2018



"Metal Marionette: Antoinette"
The final piece is a 20" x 30" digital painting. 

This is the second in a series of paintings that will be all based around an overall cyberpunk theme. I'm playing with the natural-to-unnatural balance in the images what with placing some of them in a very natural setting. In some ways I find this to be in juxtaposition to what we typically see. We usually see cyberpunk characters in ultra-high tech settings with tech on all sides. While I won't say this typical variety won't make an appearance, my favorite things to paint happen to be clouds and wires, so I ventured into both of these simultaneously.

Antoinette travels the Mississippi up and down on her barge, the wealthy allowed to journey along side. Her journey is the opposite of the world around her: quiet, relaxing; one of luxury. Few can afford her adventures, but few regret it afterward. 

(WIP Below as well as a bonus environment painting)

  

  





(Original sketch for Antoinette)

Sunday, February 4, 2018



As an artist, it seems like the landscape is ever-changing from simply the tools, to the aesthetic. I intend to be an artist that never wants to stop learning, and as such, I find more and more interesting artists everyday. Each artist has a unique insight and point of view, no matter the experience level. New views help open my mind and teach me there are many ways to utilize my skills and I hope that sharing our stories will help others in the same way. I believe there are many paths on an artistic journey, and each interview will help to show the stories of the artists that tread them.

Today, we'll be interviewing Tawny Fritzinger.

Kaminski: Firstly, as always, tell me a little about yourself. What got you into art? what makes you continue perusing it? Is it something that you always saw yourself falling into?

Fritz: As with nearly all artists, I have been doodling since I can remember. I got away from it a bit after high school during my tours in the Army but even then, I sketched when I had idle moments. It's definitely not something I always saw myself doing as a career because I was taught that art makes no money and if I want to draw, I should go into architecture. It's a pretty common misconception and it took finding the Crimson Daggers and subsequently, One Fantastic Week that busted that myth in my mind. I started working as a serious, professional artist in 2012 and the single most important thing that keeps me pursuing it is the simple fact that I can't imagine a life wherein I am not creating and putting my art out into the world at this point.

Kaminski: Looking back at your initial jump into the art world, what made you choose inks over the majority of other medias out there? Was it the ease perhaps and wide-spread availability of the media, or did you just like the look in general?


 

Fritz: Actually, inks (and watercolors) are relatively new to me. When I made my jump into the art world, I started out with digital art. I chose that media because it was easily available and I felt it was less intimidating. Over time, I started to realize that I prefer traditional media over digital and started leaning more toward it. Now, I do some client work digitally (game art), but most of my work is done in ink and watercolor. I really enjoy the tactile aspect of working on paper/board and the almost meditative quality of drawing long, flowing lines in ink.
... I was taught that art makes no money and if I want to draw, I should go into architecture. It's a pretty common misconception ...
Kaminski: I've actually heard of people using paper on top of their tablets to simulate the feel and tactile nature of traditional media. (I didn't realize that you did both up-front) I also notice that you dive into digital as well with some of your game work - do you find this change of media jarring or do you ease into just like your traditional media? Are there any techniques that you find that transfer between the two?



FritzSee above LOL! I jump into any new media with both feet, often spending way too much money buying all the supplies I need for it before I even determine if I like it or not! Most days, the switch is pretty easy, although there are times where I find it hard to transition back to digital after working on paper for long periods of time. It just takes some warming up though. The two media really help to inform one another in a lot of ways. The biggest technique that translates between the two is sketching. I've gotten a lot looser with my initial sketching on paper thanks to the way I sketch digitally. ​​

Kaminski: Much like you, I have the really bad tendency to drop ALL THE MONEY when first diving into a media. I can't tell you how many supplies I have related to both acrylic and oil painting that I have yet to really dive into (both out of fear and out of time). Hopefully the journey has been just as exciting, though, learning the multitude of medias.

Switching gears, when initially starting your dive into art - post-military - what were some techniques that you used to start gaining your following? What tactics do you employ to maintain your following?

Fritz: In the beginning of my art career, I would post to Facebook and... that was pretty much it. I didn't really learn how to promote myself for the first few years. In the last two years I've begun focusing more on Instagram and Twitter. I've started paying more attention to posting times and days, and focusing on making sure I'm consistent in posting. Everyone says it, and it's because it's true, that consistency is key to gaining and maintaining any sort of following. Also, I don't just post and run. I make sure my captions are engaging and authentic to me, I respond to comments, and I comment on posts in the community as well. Basically, I just engage with other humans on all platforms!

Kaminski: I think a great deal of folks tend to forget that it's really important to create a brand when you start on social medias. Much like creating a television personality, you have to become a complete persona for your online presence to work out in the long run. Surely your constant engagement has led potential clients your way! Can you talk about or promote any of the projects that you are currently working on? (If under an NDA, perhaps there's something personal that you'd like to promote.)

 
(examples from The Divine Coven)

Fritz: I'm currently working on The Divine Coven tarot deck (no website yet, but if you want to see it, follow me on Instagram). I can't post finals until the client does, but I post works in progress and teasers! It's a beast of a project to take on, because tarot decks have seventy-eight cards! I'm also working on my first t-shirt preorder run, and creating new designs for future t-shirts.

Kaminski: I love how quickly your final products change! It's really refreshing to hear that there are more avenues than purely prints and books. When I first started out, I can honestly say that I didn't see there being many more avenues than those. School definitely changed my mind about that... Much like my mind change, what's some advice, knowing what you know now, that you'd tell yourself if you were starting all over today?

Fritz: I don't even know if I'd follow the advice I'd give myself because it was advice everyone gives everyone and nobody really listens because it's the kind of thing each artist has to learn for themselves, but it would be: Draw/Paint what you WANT to draw and paint. Everything else falls into place. Don't chase some white whale dream that everyone is going after, especially if it's not true to what you actually enjoy!

Kaminski: Oh, man, can I say that I didn't follow this advice early on. Originally I thought I was going to be an environmental artist for video games. That was mainly because of my chase of other's projects and what influence they had on me early on. How far I've come, myself, since then! 

When you were first starting your project, 100 Faces, what kinds of ups-and-downs did you run into? Was there ever a point during the project that you didn't think it would be successful or you would need to rethink your strategy for making it a success?


Fritz: 100 Faces was quite an experiment for me, and one of the best confidence boosts I've managed to manufacture for myself. I started it not knowing how long I would be able to keep it up or if I'd really ever be able to finish. Having positive feedback from friends and followers helped a LOT, especially when I started feeling like I couldn't follow through. Engaging your audience in different ways can help motivate you when you're in the doldrums of a long project!

Kaminski: That's something that I've been working on myself, finding ways to engage the audience in new and fun ways. Ashley found quite a few ways to involve the audience through questions and polls, even going so far as to quiz followers so that they had a good time browsing her feed.

Since 100 Faces was such a success, what goals do you have for yourself in the immediate? What about the long-term?

Fritz: Current immediate goals are to streamline my production of the Divine Coven cards and begin designing t-shirts for my own online store.

Long term goals? I have no idea! Beer labels! I would love to create illustrated beer labels or wine bottles. I want to see my drawings out in the world on cool products. Beer bottles, skateboards, sleeve tattoos, wherever my art is going to look cool, that's a long term goal of mine!

Create art that YOU would think is cool, art YOU would share on your social media. Don't chase a client who hires artists for the kind of work you struggle to create...

Kaminski: Oh! I would've never thought about labels! My go-to is always some sort of collectible cards or shirts.

And finally, what's the best piece of advice you've ever received OR what's the best piece of advice you can give to fellow artists?

Fritz: The best piece of advice, and one I was extremely resistant to for the first few years of my own fledgling career, is to please please create what YOU love. Do not create for what other people think is cool or what you think people want to see. Create art that YOU would think is cool, art YOU would share on your social media. Don't chase a client who hires artists for the kind of work you struggle to create, look around for the clients or products the art you already make would mesh well with. Not only will you start to gain traction as your audience finds you, your soul will sing with each creation. I feel so much more connected to Constructed Chaos or the Divine Coven cards than anything I've done for a work-for-hire client.

Kaminski: Thanks so much, Tawny, it's always a pleasure to interview such talents!

Thank you all for reading, I hope you enjoyed this interview with Tawny Fritz.
If you did, please give it a SHARE via Facebook or Twitter, below.
You can view this interview, and many more, HERE.

You can find out more about Tawny Fritzinger, at her website: http://www.tawnyfritz.com/

If you would like to be a part of my interview series, simply fill out the contact form HERE and I'll get back with you as soon as possible!

THANKS FOR READING, AND UNTIL NEXT TIME!

Follow Mat @artofmatk

Follow Ash @ashley.storyteller